| 中文摘要 |
目前學界對於錢基博文學方面的研究，多集中於文學史著作，較少關注其具體實踐於教學現場的「文選」編纂，其中，影響力甚大的《模範文選》，更是少被提及。因此，本文以《模範文選》中為研究對象，首先，概述《模範文選》版本、體例，與編纂目的。其次，透過《模範文選》對新思潮的態度，以及對文體的認識，理解錢基博編纂立場。第三，藉「頓挫」等批評術語，觀察「以動者尚其變」如何具體落實對文章的評論。最末，探究錢基博為何標舉「以動者尚其變」，藉以見得民國知識份子面對時代潮流的一種姿態。
The present academic research on Qian Jibo's literature mainly focuses on his publications of the history of literature. Qian Jibo's Wen Xuan editions about the practices in teaching scenes were rarely discussed, not to mention the significant Mo Fan Wen Xuan. In light of this, we specifically selected Mo Fan Wen Xuan as the subject for this study. First, we review the versions, the styles and the writing purposes of Mo Fan Wen Xuan. Second, we attempt to learn more about Qian Jibo's position of writing through the attitudes towards the New Trend of Thought that Mo Fan Wen Xuan implies and its literary genre. Third, we address how ＂以動者尚其變＂ was implemented in the criticism of certain articles through the observations of critical terms such as ＂頓挫＂. Last but not least, we discuss Qian Jibo's claim of ＂以動者尚其變＂ in order to have a better understanding of the intellectuals' positions as they faced the trend of the times in the 1920s. |
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