英文摘要 |
This paper investigates the extant historical documents relating to the life and achievements of Zhai Zhong 祭仲. Prior to the Tang dynasty, the image of Zhai Zhong was largely a positive one, his stories cited for a variety of reasons. After the Tang dynasty, differences in opinion emerged over Zhai Zhong’s expulsion of Duke Zhao of Zheng 鄭昭公 and his replacing him with Duke Li of Zheng 鄭厲公. This subsequently led to mistaken criticism of the Confucian moral standards and practice set out in the Gongyang zhuan 公 羊傳. This negative inversion of Zhai Zhong’s image should not merely be confined to the realm of classical studies and commentaries, but perhaps also viewed as a cultural phenomenon. In other words, the significance of Confucianism’s settling of accounts with Zhai Zhong after the Tang and Song dynasties was not only on the level of doctrinal purification, whether motivated by the desire to restrict supreme imperial power, or as a consideration in the construction of a new Confucian doctrinal system to parallel that of Buddhism and Taoism; it also, in fact, implies a cultural transition. It wasn’t until the time of Zhu Xi 朱熹 that a new Confucian doctrinal system with the Si shu 四書 at its center was finally completed, replacing the ancient doctrinal system that rested on the foundation of the Five Confucian Classics 五經. However, an earlier reorganization of this old Classics system that had already been permeated with new ideas was already underway in the mid-to-late Tang. This new system closely resembled the doctrinal system embodied in the Si shu. This indicates that this split in the way the Confucian classics were interpreted may provide more evidence supporting Naito Konan’s 內藤湖南 Tang-Song transition theory arguing for a division between medieval and modern times. |