從「諾貝爾」到「思想起」－－談博物館展示設計概念的形成與落實

From the Exhibitions of 'Nobel Prize 100 Years' to 'Voyage of the Past' － A Case Study of Performance and Practice of Exhibition Design Concept in Museums

主題性展示為現代博物館之主流，已脫離分類陳列、每個展品可獨立存在，不必有概念上關連的方式。因此，主題的故事線（storyline）就成了串連展示資料內容、確定設計概念，讓展示規劃者據以發展設計的依循標準。面對資料眾多的相關內容，該如何去發展故事線呢？「諾貝爾獎百年特展」與「思想起──台灣光復初期生活科技展」是兩個不同性質與內容的展示主題：前者以知識為主，後者以物件為主。因此，展示概念的形成過程與結果也有相當的不同。本文藉由回溯此二特展的故事線發展過程以及內容特性，理出物件與知識、共時與貫時的本質差異，並以最後呈現的結果作為對照，期能提供展示規劃者面對不同的題材時，分析脈絡並組合故事線時的參考。

The thematic exhibition is the trend in modern museums, and it has departed from the classifying display and allowed every piece of fine arts to be displayed distinctively without connection with the concepts. Therefore, the storyline of the topic becomes the main standard of connecting the exhibition contents and confirming the designing concepts for the exhibition planner to develop the design. How can we develop a storyline in the various information? 'Human Wisdom-- Nobel Prize 100 Years' and the 'Voyage of the Past-- Living Technology in Taiwan's Early Restoration' are two different types of exhibitions. The former is based on knowledge, and the latter is based on material. Therefore, the process of the forming the concepts and the outcome would be quite different. The study figures out the differences between material and knowledge, synchronic and diachronic, presents the result as a contrast by recalling the storylines and characteristics in the two exhibitions. It is expected to provide some reference for the exhibition planners to analyze and compose the storylines while facing different topics.