英文摘要 |
This paper attempts at applying phenomenological, predominantly Husserlian concepts and distinctions to a new interpretation of the doctrine of the "six ways" of Chinese script formation as first explained by Xu Shen 許慎 (ca. 58-ca. 147). After a short introductory section explaining the subject matter and methodological background of the paper, the second preparatory but elaborated section focuses on four selected phenomenological issues that are of crucial importance, namely, intentional acts, part-whole logic, categorial intuition, and act material versus act qualities. In the third and main section, the "six ways" are discussed in detail one after the other in the light of the phenomenological concepts just explained. In the fourth and concluding section, the meaning of such a new interpretative attempt is recapitulated and projected from a cross-disciplinary perspective. |