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清華學報 Tsing Hua Journal of Chinese Studies |
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201009 (40:3期)期所有篇 |
- 導論 Introduction
- 從書寫到書法——一個身體現象學的考察 From Writing to Calligraphy: A Consideration of the Phenomenology of the Body
- 書符與符號:正一符法的圖像及其象徵 Talismans and Symbols
- 傳佈:〈落花〉:沈周晚年書風之複製與形塑 Spreading Falling Blossoms: Style and Replication in Shen Zhou's Late Calligraphy
- 從《玉臺書史》到《玉臺畫史》:女性藝術家傳記的獨立成書與浙西的藝文傳承 From The Jade Terrace History of Calligraphy to The Jade Terrace History of Painting: The Separate Compilation of W omen Artists' Biographies and the Cultural Tradition of Zhexi (Western Zhejiang)
- 《淳化閣帖》與清代書法臨古 Model Calligraphy of the Chunhua Archive and Modeling on the Past in Qing Calligraphy
- 近代日本的書法革新:論六朝派及中村不折的中國式碑學風 Reforming Calligraphy in Modern Japan: The Six Dynasties School and Nakamura Fusetsu's Chinese-Influenced Stele Style
- 書法應酬與王鐸的人脈網絡——以受書人中的河南地方官與清初新貴為例 Calligraphy for Social Obligations and the Social Network of Wang Duo: Writing for Local Officials of Henan and Powerful Han Officials in the Early Qing Government
- 臺灣與中國郵票裡的中國文字設計與書寫 Chinese Writing and the Design of Postage Stamps in Taiwan and China
- 中國古代書法傳統與當代藝術 The Ancient Chinese Calligraphy Tradition and Contemporary Art
- 轉進當代藝術的書法現象考察 Chinese Calligraphy Develops into Contemporary Art
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