英文摘要 |
The Japanese calligrapher Nakamura Fusetsu (1866-1943) created works in an unfamiliar archaic style that was inspired by the Chinese Stele School. Emphasizing inventiveness and novelty, this style aligned calligraphy with fashionable notions of 'fine art,' reflecting Fusetsu's belief that, despite the gradual decoupling of calligraphy from painting in modern classifications, calligraphy should be considered a fine art. Focusing on his representative work Ryuminjo, this paper explores the theoretical and stylistic foundations of Fusetsu's calligraphy, establishes his links to Chinese calligraphers and theorists such as Kang Youwei, and places his activities within the framework of modernization. |