回望歷史，邁向新歷史意識 Looking Back at History; Towards A New Historical Consciousness
「下層階級站到舞臺前」：海外保釣運動中的業餘話劇(1971-77) Staging the Lower Class: The Amateur Spoken Drama in the Overseas Defending Diaoyutai Movement, 1971-1977
小劇場運動的視覺文化譜系與歷史剪輯：重探「河左岸」的《兀自照耀著的太陽》 A Visual Genealogy of the Taiwan Little Theatre Movement and Its Historical Editing: Revisiting Rive-Gauche’s The Sun That Still Shines On
運動死後的運動──王墨林關於地理終結的可能回應 The Movement Beyond the End of Movement: Wang, Mo-Lin’s Possible Responses to the End of Geography
後冷戰時代的民眾民主視野：亞洲民眾戲劇工作者的路徑 People’s Democracy in the Post-Cold War Era: The Routes of People's Theatre Workers in Asia
小又短命：1990年代小劇場與咖啡空間 Small and Short-lived: The Little Theatre, Coffee Shops and Theatre History
「捉賊啊！捉賊！」？──從李健吾的莫里哀譯本傳播談起 “Catch the Thief !”: The Dissemination of Li Jian-Wu’s Translation of Molière
展演中國性：邱剛健與臺港冷戰電影體制的轉化 Performing Chineseness: Chiu Kang-Chien and the Transformation of the Taiwan-Hong Kong Cold War Institution of Cinema
作為證物與證詞之人：臺灣當代女性官兵的性別人權困境 She Serves as Living Proof: Gender and Human Rights Impasse of Contemporary Women Soldiers in Taiwan
一部「詩心」凌駕於「史識」的文學史：論《哈佛新編中國現代文學史》中「史蘊詩心」的方法與實踐 A Literary History in which“Poetic Mind”Overrides“Historical Knowledge”: The Method and Practice of“shiyunshixin [Poetry as History]”in A New Literary History of Modern China
現代性的重構：評《哈佛新編中國現代文學史》 Reconstruction of Modernity: On A New Literary History of Modern China
痛與痛感：三部中國現代文學史的魯迅書寫比較 Pain and Pain feeling: Comparison of Lu Xun's Three Works in Modern Chinese Literary History
