殖民視覺暴力與文化清洗見證：日治初期臺灣原住民電影活動的初體驗 Visual Violence of Colony and Witnesses to Cultural Genocide: Retracing Cinema Experiences of Indigenous Peoples in Taiwan in Early Japanese Colonial Period
跨域電影產製的中心更替：CEPA後香港–中國大陸合製電影的網路分析 Structural shifts in the film coproduction network: Demonstrating CEPA’s effect on the Hong Kong–Mainland China coproduction network by using social network analysis
傷痕文學視角下的後社運香港流行曲：沉默、抒情與暗碼書寫 Understanding the Postsocial Movement in Cantopop Through a Scar Literature Lens: Silence, Lyricism, and Coded Writing
沒有人是孤島：三個臺灣媒體節目對「移臺港人」的再現分析 No Man Is an Island: An Analysis of Three Taiwan Media Programs’Representation of“Hong Kong Migrants”
