以紀凱淵「地方三部曲」分析臺灣當代錄像藝術的抒情缺位 Study the Lyrical Absence of Contemporary Video Art in Taiwan with CHI Kai Yuan's ''Place Trilogy''Place Trilogy''
疏離與聯繫，異化與同化——「眷村」作為一種歷史圖象的符碼意義 Estranged and connection, alienation and assimilation——The Symbolic Significance of ''Military Military Village'' as a Historical Image
