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彰化師大國文學誌 NCUE Journal of Chinese Studies |
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200812 (17期)期所有篇 |
- 宋詞元曲之音樂與文學承傳疑義辨析 Interpretation and analysis in some doubtful inherited points about Music and Literature of Song Ci and Yuan Qu
- 北曲般涉調【耍孩兒】與【煞】曲研究 A Study of ‘Shuahaier’ and ‘Sha’: Two Banshediao Tunes in the Beiqu Repertory
- 《全明散曲》中帶過曲之研究--元明帶過曲使用情況之考察 The search of 《Quan Ming San Cyu》 the medium Driving Song-the investigation of the Ming Dynasty Driving Song usage of the Yuan Dynasty
- 「北曲名家」抑或「南詞宗匠」?--論明代散曲家陳鐸的創作特點與意義 'the Northern Opera classic ' or ' the south word great master '? --Talk about the creation characteristic and meaning of Chen Duo of non-dramatic song family of Ming Dynasty
- 詩與劇的共舞--論《牡丹亭》下場詩的美感作用 The Dances of Poem and Opera: On the Aesthetic Function of the Epilogue Poems of Episodic in The Peony Pavilion
- 《長生殿》集唐下場詩之「多義性」研究 A study for Polysemy: Exit Poetry of "Jitang" Verses in The Changsheng Palace
- 《牡丹亭》「枊」、「梅」意象及其演出別議 The Peony Pavilion of different views on the phenomenon of willow, plum and performance
- 奠基於傳統之上的創新:談《十五貫》的改編 Tradition and Innovation Blending in the Texts and Performances:The Adaptations of Shihwu Guan
- 有關「閻瑞生謀殺王蓮英案」俗曲研究 The Research of popular tunes about the murder case "Yen Ruey Sheng"
- 戀戀國風/博物樂府--歌仔唱本《六十條手巾歌》析論 The Romantic Guo-Feng and Knowledgeable Yue-Fu (戀戀國風, 博物樂府): The Analysis on Ge-Tz Pamplet "Sixty Hankerchiefs"
- 歌仔戲藝人的「朋友」觀 The Concept of Friendship Among Taiwanese Opera Performers
- 內台俊影--「五洲園二團」黃俊卿的布袋戲演藝風華 The marvelous inner stage shadow- "Wu Zhou Yuan second troupe" the puppet show beauty of Huang Jun-Qing
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