英文摘要 |
This thesis with 《Quan Ming San Cyu》, 《The Ming Dynasty san cyu》for scope, investigate the Driving Song in two situations of usages of the Yuan Dynasty, Ming Dynasty, via tabulate absorption, statistics, comparison, present the in the interval to accept to pass and change. The cyu pai of the Yuan Dynasty Driving Song usage contain 27s. Ming Dynasty Driving Song contain 29s, having 14 kinds of follow to use a song card, 15 kinds of add, have 13 kinds of melodies and have already did not see the usage in Ming Dynasty generation. Ming Dynasty Driving Song differs from the phenomenon of the generation of the Yuan Dynasty to have three: While being the breakthrough and innovation of the cyu pai denomination, the second is the Driving Song body in addition to making of the expand and south are north and bring, the third is a Driving Song in addition to being used for spreading the set, see in the north set, south north in addition to matching the set, also is seen in the south song to spread the set. The mediate writers, Jhu You Dun, Kang Hai, Fong Wei Min, Jhao Nan Sing, have the most impact and representative. Generally speaking, in the early Ming, the Driving Song had been composed in the form of single siao ling; and in the late Ming, it had been mainstreamly composed in tao cyu. The breakthrough of the Ming Driving Song, actually is subjected to the south Ji Cyu and the Ji Cyu of north and south. Proceeded by few composers, it still couldn’t lead the way. Creations realm in north Driving Song, greatly parts of works still adhere strictly to the north code, is entirely definite and has its own code within north and south. |