「吳園」：邊陲內地富庶氣勢的山水凝映及原鄉想望－－清中葉吳麟舍家族在台灣府城的古典園林空間美學建構

Wu Garden': 'Shan-Shui' Reflection and Homeland Yearning of the Imposing Local Affluence in New Periphery-inner-land - Spatial-Aesthetical Construction of Chinese Classical Garden by 'Wu-lin She' Family in 'Taiwan Fu-cheng' during Middle Qing Dynasty

位於台灣省台南市中心的「吳園」，由吳氏家族建於清道光年間，乃是當時台灣最為重要的園林建築，具體表露了在台灣內地意識已然萌生下，台南府城作為全台富庶文教中心的城市慾望。其在歷史的摧殘下，雖已不復全貌，然從殘剩的園林景致仍不難窺探當時可能的盛況。本文主要希望將吳園置入當日具體的城市社會權力脈絡之中，藉由歷史及文化研究的視野，對「吳園」築構的空間美學作一解析，除瞭解其山水及庭園構築的美學邏輯外，亦將釐清此一空間美學建構與吳氏家族以及台南府城發展間的複雜關聯，俾以點出吳園倚勢構築的深度空間意義。

Wu Garden', which was erected by Wu Family during the reign of Emperor Dao Guang (道光) of the Qing dynasty (清朝) in downtown area of nowadays Tainan city, is the most important Chinese classical garden of its time. Its building, under the condition of the bourgeoning of inner-land consciousness, obviously displayed the emerging desire of abundant Tainan Fu-cheng as the cultural and intellectual center of Taiwan. Though it has been damaged partly under the destruction of historical power, we could find the ever-existed prosperity through the ruins. By relocating Wu Garden as a pseudo-text into the concrete context of urban-social power, this paper, with the help of the vision of historical and cultural study, aims to dig out deeply the spatial aesthetics of the building of 'Wu garden'. Besides studying its aesthetical logics of the shaping of Shan-sui and garden, the author hopes to handle the relationship between the construction of spatial aesthetics and the development of Wu family and Tainan city. So we can finally make clear the deep spatial meaning of the socially imposing erection of Wu garden.