論張先之造影藝術──以「無影詞」為考察對象

Zhang Xian of the shadow on the art of writing─To ‘shadowless words’ as the object

張先，字子野－－以「張三影」這稱號而聞名。歷來世人對於他的印象大多停留在三句寫影名句上，其實張先詞中不只寫這三影，但後人談論到其寫影之詞作，多著重在明寫影者。本文從張先詞中找到許多不明寫影的作品，如直接寫「無影」、「陰字」，或利用雕琢語句寫出水面或鏡面之反射倒影，這些屬於不直接寫影之「無影詞」。藉由本研究可知張先善於琢字鍊句並在詞中創造出屬於無影之影的虛幻美感，讓「影」這一意象在張先詞中占有相當重的份量，並且從這些寫影卻不用影字的作品中，賦予影更多更豐富的變化，擺脫那死沉沉又灰暗的外衣，見到張先繪影造境的藝術技巧。

Zhang Xian, the word sub-field - a ”Joe Smith film, ”This title is known. Has always impressed the world for his stay in the three most famous writing on the film, in fact, written more than Ci in these three films, but to their posterity to write film about the lyrics, and more emphasis being given out to write a film by. But this article from Ci to write video to find the works of many unknown, such as direct write ”shadowless”, written statement or the use of cut and polish the surface of the reflection or mirror reflection, these are not written directly affect the ”groups of words. ”This study shows that Zhang Xianshan by words and sentences in the pecking and belonging to groups of words in the shadows to create the illusion of beauty, to ”shadow” of the image in the Ci in the possession of very heavy weight, and the film was written from these Works do not affect the word, see Zhang Xian shading techniques making art throughout, giving the changes affect more and rich, heavy and gray out the dead coat.