從聲腔曲韻到器樂語境：《變體孟姜女》的互文背景及再語境化歷程論析 Adaptations of Folk Songs to Instrumental Music: On the Intertextuality and Recontextualization in Variations on Meng Jiangnu
重探齊馬諾夫斯基《四首歌曲——選自泰戈爾《園丁集》文字》：作品起源、音樂與詩文關係及意義 On the Genesis and the Relationships between Poetic Text and Musical Techniques in Karol Szymanowski’s Vier Gesänge—Worte aus“Der Gärtner”von Rabindranath Tagore
蛻變與跨越：一位音樂資優生之生涯敘說研究 Transformation and Transcendence: The Personal Narrative of a Musically Gifted Student
二十四節令鼓在馬來西亞和中國敲響兩地全球本土的淵源 Twenty-Four Drums, Two Lands: Performing Glocalization of the 24 Festive Drums in Malaysia and China
