「直覺」與中國文藝美學——由宗白華讀柏格森《創化論》說起 “Intuition” and the Aesthetics of Chinese Literature and Art: On Zong Bai-hua’s Reading of Henri Bergson’s L'évolution créatrice
《荀子》和《呂氏春秋》的「天下」概念：「後周魯」時代對世界秩序的構想 A Study of the Concept of “All-under-Heaven” in The Xunzi and Mr. Lü’s Spring and Autumn Annals: The Two Blueprints for ruling the World during the “Post-Zhou-L Regime
魏晉南北朝佛教文化與傳統「氣思維」的交涉——以「形／神」問題的思辨與實踐為主 The Interaction between the Traditional “Thought of Qi” and the Buddhist Culture in the Wei, Jin, and Southern and Northern Dynasties: With a Focus on the Analysis and Practice of the Form and Spirit Issue
漢字思維的哲學思考——張東蓀的方法論反思 Philosophical Thinking on the Chinese Script–Chang Tungsun’s Reflections
論胡適對自然主義的挪用：兼論「反向格義」的源起與迷思 On Hu Shi’s Appropriation of Naturalism with Discussions on the Origin and Myth of “Reverse Geyi”
