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Ex-position
Ex-position |
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| 201906 (41期)期所有篇 |
- Introduction: World Enough Introduction: World Enough
- “Include Me Out”: Reading Eileen Chang as a World Literature Author “Include Me Out”: Reading Eileen Chang as a World Literature Author
- From the Impersonal to the Ecological: Critique of Neoliberalism and Vision of Ecocosmopolitanism in Wu Ming-Yi's The Stolen Bicycle From the Impersonal to the Ecological: Critique of Neoliberalism and Vision of Ecocosmopolitanism in Wu Ming-Yi's The Stolen Bicycle
- Compound Eyes and Limited Visions: Wu Ming-Yi's “Weak Anthropocentric” Gaze for World Literature Compound Eyes and Limited Visions: Wu Ming-Yi's “Weak Anthropocentric” Gaze for World Literature
- Creolization, Translation, and the Poetics of Worldness: On Wu Ming-Yi's French Translation Creolization, Translation, and the Poetics of Worldness: On Wu Ming-Yi's French Translation
- Luo Yijun's Fourth Person Singular Writing: A Cartography of Time Luo Yijun's Fourth Person Singular Writing: A Cartography of Time
- On the Third Hand: Why to taiwan World Literature On the Third Hand: Why to taiwan World Literature
- Q & A: Wu Ming-Yi Q & A: Wu Ming-Yi
- Compromises in Translating Wu Ming-Yi's Uncompromising Localism Compromises in Translating Wu Ming-Yi's Uncompromising Localism
- Landscape in Motion: Wu Ming-Yi's Novels and Translation Landscape in Motion: Wu Ming-Yi's Novels and Translation
- The Trans-L/National Ethos and Ethnos of Tangut Inn The Trans-L/National Ethos and Ethnos of Tangut Inn
- Dream Cleansers, from Tangut Inn Dream Cleansers, from Tangut Inn
- Cooking, Postfood, and Our Posthuman Future in Margaret Atwood's MaddAddam Trilogy Cooking, Postfood, and Our Posthuman Future in Margaret Atwood's MaddAddam Trilogy
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