論徐炎之、張善薌在臺灣的崑曲薪傳及表演特色 The Continuation of Kunqu in Taiwan: Efforts of the Couple Yen-chih Hsu and Shan-hsiang Chang, and Features of their Performing Styles
臺灣現代劇場的產業想像：一個「參與觀察者」的劇場民族誌初步書寫 Art as Industry? –A Participant-observer’s Account of the Changing Course of Modern Theatre in Taiwan
再探亞陶殘酷劇場：「演繹理論」與「理論表演」之辯證 Dialectics of “Performing Theory” and “Theoretical Performance” in Artaud’s Theatre of Cruelty
身體書寫戲劇：穆努虛金表演美學 Mnouchkine’s Performing Aesthetic: The Body Writing Theater
