論莎士比亞的悲劇觀：從中期悲劇看起 Shakespeare’s Conception of Tragedy: The Middle Tragedies
生命風格的複製──以余叔岩、孟小冬師徒關係為例論京劇流派的人意涵 The Reproduction of Lifestyle: The Literati Significance of Peking Opera Styles through the Master and Disciple Relationship
懷舊的共同體與再合成的自我：金枝演社與臺灣春風歌劇團的新胡撇仔戲 The Nostalgic Community and the Reintegrated Individual: The “New Opeila” Performances of the Golden Bough Theater and the Formosa Zephyr Opera Troupe
