晚明清初戲曲審美意識中情理觀之轉化及其意義 The Transformation of Ch'ing and Li and Its Significance in the Aesthetic Trend of Late Ming and Early Ch'ing Drama
「演員劇場」向「編劇中心」的過渡——大陸「戲曲改革」效應與當代戲曲質性轉變之觀察 The Transition from Actor-Centered to Playwright-Centered Drama: An Investigation of Mainland Drama Reform and the Transformation of the Nature of Contemporary Theater
荀子的「身、禮一體」觀——從「自然的身體」到「禮義的身體」 Hsun-tzu's Recognition of the “Combination of One's Body and the Li-yi”: The Transformation from “A Natural Body to the Li-yi's Body”
湛甘泉哲學思想研究 A Study of the Philosophical Thought of Chan Jo-shui
劉蕺山對《大學》〈誠意〉章的詮釋 Liu Chi-shan's Interpretation of “Ch'eng-i” Chapter in the Great Learning
如來佛的手掌心——試論明末耶穌會證道故事裡的佛教色彩 Exemplum and Apadana: Buddhist Influences on the Chinese Writings of Late-Ming Jesuits
