中央大學人文學報 National Central University Journal of Humanities
201101 (45期)期所有篇
讀一切書之法──金聖嘆評《水滸傳》之文法術語及其敘事意涵 The Method of Reading All Books─Narrative Theory in Jin Shengtan’s Marginalia of Outlaws of the Marsh
《紅樓》解碼──小說敘事的隱喻象徵 Decipherment of Hong Lou─The Metaphorical Symbol of Narrative Novel
風俗、地方與帝國：《太平歡樂圖》的製作及其對「熙皞之象」的呈現 Customs, Provinces, and the Empire: The Making of Taiping huanle tu (The Album of Happiness in a Peaceful Age) and Its Representation of “Peaceful Regime”
從「不分唐宋」到「詩學晚唐」：清代臺灣文人對唐宋詩的審美態度 From “No Demarcation between Tang Poetry and Song Poetry” to “the Imitation of Late Tang Dynasty Style”: the Aesthetic Attitude to Tang Poetry and Song Poetry of Taiwanese Intellectuals in Qing Dynasty
錢德明的《聖樂經譜》：本地化策略下的明清天主教聖樂 Joseph-Marie Amiot’s Shengyue Jingpu: the Transformation of Catholic Sacred Music under Inculturation Policy in Ming and Qing Dynasties
