本文以比較文學的角度探討張愛玲的作品。尤其以短篇小說《封鎖》為中心，觀察該作品受到的影響，及其被翻譯的狀況。

1944 年的上海，偶然被困在電車內的男女在與外界隔絕的空間內陷入愛情又旋即消滅的《封鎖》，經由對其中初始與結尾相互應的「點」與「虛線」，報紙上 的雜文反印在包子上的意象，及多次出現的「好人」與「真人」等三個部分的考察得知，《封鎖》與莫泊桑、魯迅有所關連，且能與張愛玲其他作品及價值觀甚至 文明論相呼應。

This paper explores Eileen Chang’s works, particularly examining the short story Sealed Off from a comparative literary standpoint, and the influence this work has had on others through translation and more.

Taking place in 1944 Shanghai, “Sealed Off” depicts a man and woman who, stranded together on a tram, experience a fleeting romance within this confined setting. By examining three critical components—the cyclical framing of the narrative using "dots" and "dotted lines," the symbolism of newspaper essays mirrored in steamed buns, and the repeated motifs of the "good person" and "real person"—the analysis uncovers intertextual links between Chang’s story and the writings of Maupassant and Lu Xun. Moreover, the tale was shown to align with Chang’s recurring thematic concerns, moral reflections, and even her critiques of civilization.