This essay analyses ten poems of critique-taken mainly from the Qing Dynasty’s Jueju-style Critiques of Ci: Volume One (Qingdai Lunci Jueju Chubian) and the Two Thousand Jueju-style Critiques of Ci (Lunci Jueju Erqian Shou)-of the works of Li Qing-zhao, cross-referring to related Ci Hua (i.e. notes and comments on ci poetry; novel with parts in verse common in the Ming Dynasty), prefaces and afterwords of some ci anthologies, and other notes, in the hope of establishing a thorough knowledge of the critique of Li Qing-zhao’s ci, and discussing features and the gist of the jueju-style critiques of ci. The first part of this essay discusses Li’s fame and excellence in ci-writing; the second is about the romance between Li and her husband Zhao Ming-cheng; the third deals with the rumour of Li’s remarriage; and her legacy of the "delicate restraint" (wan yue) style serves as the final part.