| 英文摘要 |
This article explores the contemporary theoretical reconstruction of the philosophical meaning of wu (things) in the works of Tang Jun-Yi and Yang Rur-Bin, each of whom develops distinct cosmological visions and ethical orientations within the East Asian intellectual context. It first analyzes Tang Jun-Yi’s cosmology of resonance in The Development of the Spirit of Chinese Culture, which takes gan–tong (resonance) and shengsheng (continuous creativity) as its core mechanisms. Through this framework, Tang redefines the nature of things as structures of generative potential and moral responsiveness, thereby constructing a relational ontology that challenges the substance-based metaphysics of the West. It then examines Yang Rur-Bin’s theory of“thing studies”(wuxue), developed since his essay Original Physics. Drawing on the Five Phases cosmology and religious symbolism, Yang combines processes of qi transformation, artisanal practice, and the resonant subject to articulate a non-subject-centered philosophy in which wu is understood in terms of otherness and existence emerges through responsive co-presence. Referring to the phrase“ji wu er yi”(“the limit of beings”) in the“Zeyang”chapter of the Zhuangzi, the article argues that, despite their divergent approaches, both Tang Jun-Yi and Yang Rur-Bin provide profound responses to contemporary issues of relationality, non-substantiality, and becoming. Their thought opens theoretically rich and culturally grounded pathways for Chinese philosophy to participate in global intellectual discourse. |