從〈女學生〉視角閱讀真杉靜枝的戰時下文學——以作品〈女兒〉為中心

Masugi Shizue's Wartime Literature through the Lens of the 'Female Student': Focusing on ''Daughter''

真杉靜枝是戰爭時期在日本文壇活躍的女性作家中，少數擁有居住過台灣經驗的作家。對於少女時期在台灣渡過的真杉靜枝來說，台灣就如同是故鄉一般的存在，也是她文學創作時的重要題材。近年來，由於台灣研究興盛，她的作品中有一半是以殖民時期的台灣為題材，再加上女性細膩的描寫手法而受到注目，是研究殖民時期台灣文學時不可忽視的作家。作品〈女兒〉發表於1940年5月號的《新潮》，內容描寫母親與女兒兩人之間宿命般的對立，到最後的和解。在過往的研究中，大多將此部份描寫從作家本人與母親對立的親身經驗來進行解釋。本論文將從〈女學生〉的視點來進行作品分析，嘗試新的讀解。

Masugi Shizue is an active female writer in wartime Japan. She is also one of the few writers who had experience dwelling in Taiwan. Because of such experience, Masugi Shizue regards Taiwan like her home country and include Taiwan as an important part in her works. Along with the trend of Taiwan research, Masugi Shizue's works of intricately depicting Taiwan has make her an important writer when researching Taiwanese literature in the colonial period. The work of 'daughter' that published in Shinchou journal in May 1940, told the story of a mother and her daughter who initially were against each other but eventually settled the disputes. Preliminary study tends to adopt the tension between the writer and her mother to interpret the work of 'daughter'. This study, however attempts to take the female student's viewpoint to analyze the work with an aim of finding new insights.