| 英文摘要 |
In Greek mythology, after receiving divine inspiration at Delphi, Apollo’s priestess, the Pythia, prophesies the future for believers by holding a branch, burning incense, and chanting incantations in the name of the God of Truth. If the Pythia, in the name of the empire, were to come to Batu Gajah, a British colony in Malaya, could the Western colonizers, referred to as“Beast-men”by the locals, similarly determine the future of those they colonized by using the same maneuver? Lydia, the daughter of a rubber plantation owner in Malaysian-English writer Yangsze Choo’s The Night Tiger, brought with her the oleander to Batu Gajah while appropriating the local legend of the“man-eating night tiger”to objectify the colonized people as vermin beings that can be eliminated at will, thereby manipulating their fate. The story of the Delphic Pythia is mythology while that of Lydia in Batu Gajah concerns the origins and entanglements of colonialism. The connection between the mythological story and the colonial narrative is serendipitously established through the oleander; the oleander makes Lydia the Pythia of Batu Gajah. This paper will draw on Arnold Joseph Toynbee’s colonial historical perspective, Aime Cesaire’s concept of the“boomerang effect of colonization,”and some pathologists’analyses of the toxic oleander to dissect and deconstruct the Beast-men legend in The Night Tiger. Colonizers appropriate local legends to conceal their illicit activities within the colonies. While this may achieve their immediate goals to some extent, it comes at a high cost and leads to irreversible regrets. |