| 英文摘要 |
Lịch Triều Hiến Chương Loại Chí, compiled by Phan Huy Chú, is a major work on Vietnamese institutional history. Widely circulated since the Nguyễn dynasty, it survives in over twenty manuscript copies held in Vietnam, Japan, France, and elsewhere. This article first surveys the collection and transmission history of extant manuscripts of Lịch Triều Hiến Chương Loại Chí. On this basis, focusing primarily on the copies held by the Toyo Bunko (Oriental Library) in Japan, the Institute of Hán Nôm Studies in Vietnam, and the SociétéAsiatique in France, it systematically examines authorship signatures, taboo characters, and scribal characteristics using methods from codicology, philology, and the study of naming taboos. The study finds that the various copies differ to varying degrees in fascicle structure, author attribution, and forms of naming taboos. Notably, two attributions—''Phan Huy Chú'' and ''Phan Huy Hiệu''—appear side by side, and some fascicles bear no author attribution at all, reflecting that the text underwent supplementary copying, recompilation, and reorganization during its transmission. In terms of taboo characters, multiple forms appear, including character substitution, character decomposition, and stroke omission, with characters such as thời (時), tông (宗), thực (實), and hoa (華) being particularly representative. However, the same taboo characters are often treated differently across fascicles and even within the same fascicle, suggesting differences in scribal origin, transcription period, and exemplar systems. This article argues that the phenomenon of naming taboos not only serves as an important basis for dating manuscripts but also provides crucial internal evidence for exploring the textual genealogy, stratification, and scribal transmission system of Lịch Triều Hiến Chương Loại Chí. A comparative study of different copies can further reveal the complex history of the book's transmission and its process of textual formation, while also offering new materials and perspectives for the study of Vietnamese Chinese-character texts and the naming taboo system of the Nguyễn dynasty. |