當媒體人和性暴力受訪者都成為被告：來自第一線記者實務的視角

Media Professionals and Survivors of Sexual Violence as Defendants: A Frontline Journalist’s Perspective

本研究探討在臺灣#MeToo運動背景下，媒體報導與性暴力倖存者之法律風險與社會壓力。傳統新聞學強調記者應維持客觀立場，將事實與觀點區分開來，然而在處理性暴力報導時，情感與情緖不可避免地進入報導過程。尤其，在面對倖存者的勇敢發聲與被控訴者的法律反擊時，記者自身也可能成為訴訟對象。
本研究以具體案例，包括歌手王瀞韓指控東方藝術團團長朱瑞祥性侵案、女星大牙指控黑人陳建州性騷案、女演員Mia指控男演員黃健瑋趁機性交案等，探討輿論、媒體與司法系統交互影響及性暴力倖存者面臨的法律挑戰。研究發現，倖存者在發聲後，往往面對來自被控訴者的刑事與民事訴訟壓力，且卽便案件獲不起訴處分，仍可能承受被控訴者持續施加法律壓力。
此外，部分被控訴者會公開聲明自身無罪，進一步對倖存者施加社會輿論壓力，反映出臺灣司法與社會輿論在處理性暴力案件中的結構性缺陷。本研究以從新聞工作者視角，深入探討報導性暴力案件時的風險與創傷，同時探討媒體在保障倖存者權益中的角色與挑戰。

In this study, the legal risks and social pressures associated with media coverage of sexual violence survivors were investigated in the context of Taiwan’s #MeToo movement. The need to maintain objectivity by separating fact from opinion is heavily emphasized in traditional journalism. Reporting on sexual violence, however, is inevitably shaped by emotional responses and empathy. In particular, when survivors courageously speak out and face legal retaliation from the accused individuals, journalists reporting on these events may also become targets of litigation.
Three case studies were analyzed in this study: singer Wang Jinghan’s accusation of sexual assault against Zhu Ruixiang, the head of the Eastern Arts Troupe; actress Da Ya’s sexual harassment allegation against Blackie Chen Jianzhou; and actress Mia’s accusation of opportunistic sexual intercourse against actor Huang Jianwei. Through an examination of the interactions between public opinion, media, and the judicial system, this study highlights the legal challenges faced by survivors.