| 英文摘要 |
Viktor Shklovsky, a Russian formalist theorist, was among the earliest scholars in Russia to systematically engage in film studies. This paper explores Shklovsky's contributions to film theory during the early 1920s, examining his foundational premise of ''the relationship between literature and cinema,'' analyzing his proposed grammar of film language, and summarizing his textual analysis of Chaplin's films. From the perspective of early Soviet film theory development, Shklovsky emerges as both a pioneer in film studies and the founder of early Russian formalist film grammar. |