| 英文摘要 |
This paper examines the representation and imagination of the cyborg body in the works of the Australian contemporary artist Stelarc, drawing primarily on Donna Haraway’s A Cyborg Manifesto. Haraway’s concept of the cyborg—as a hybrid of human and machine, nature and artifice—symbolizes the dissolution and reconstruction of human identity and boundaries. Through performances and biotechnological experiments involving suspension, extension, implantation, and network connectivity, Stelarc transforms his own body into a site of technological exploration, embodying the ethical and existential tensions that arise when technology penetrates human life. The study combines theoretical and practical analysis. Theoretically, Haraway’s notion of the hybrid subject provides a philosophical foundation for understanding Stelarc’s bodily experiments, which question human exceptionalism and reconfigure the meaning of corporeal existence. Practically, works such as The Third Hand, Exoskeleton, and Ear on Arm demonstrate the body as both an interface of control and a medium of symbiosis between human and machine. This research argues that Stelarc’s practice not only visualizes the technological transformation of the body but also exposes the instability of identity and agency in the age of mechanized embodiment. The cyborg body thus emerges as a crucial metaphor for contemporary technoculture—signifying the evolving state of life co-created by humans and technology. |