| 英文摘要 |
This study examines a series of works created in 2022 by the South Korean artist Ayoung Kim (1979–), centered on a fictional delivery platform called Delivery Dancer. Through fictional narrative, video, and game simulation, Kim investigates the impact of digital technologies on human experience and embodied perception. Within the platform, delivery workers operate under the platform’s control during the labor process, continuously receiving instructions. However, fulfilling the platform’s expectations presents inherent difficulties, which Kim addresses through her exploration of issues in the platform economy and the gig economy. The delivery platform prioritizes the fastest routes and the shortest delivery times to maximize efficiency and profit. Workers’performances are evaluated, quantified, and transformed into data. In this context, the body undergoes datafication and subsequent capitalization, while the platform’s operational logic may impose pressure and constraints on laborers. In her works, Kim constructs a cyberpunk techno-futuristic Seoul, which serves as the narrative setting. This study conducts a formal analysis of Kim’s works, examining the aesthetic significance of the fictional city while also addressing glitch art features within the game interface of a particular work. Although gig work on delivery platforms appears to offer flexibility in taking orders, economic gain ultimately requires compliance with platform demands, resulting in implicit forms of control. Data thus becomes a key resource within both platform capitalism and surveillance capitalism. From this perspective, the study reflects on the impact of digital technologies on the human body and critically considers how platforms and artificial intelligence enact algorithmic governance. It further explores the risks and issues embedded in these systems, while questioning whether human subjects can retain autonomy and agency under such conditions. |