日本漫畫中的反戰思想——以諫山創之《進擊的巨人》為例

Anti-War Ideology in Japanese Manga: Taking Hajime Isayama's “Attack on Titan” as an Example

日本漫畫作為重要的文化媒介，承載時代精神與思想脈絡，反映了社會變遷及創作者的價值觀與意識形態。戰後日本，反戰思想成為漫畫創作中的核心主題，塑造了文化表達的獨特面向。本研究以近年備受矚目的《進擊的巨人》作為核心案例，深入剖析其如何通過敘事結構、角色設定及象徵手法，詮釋日本自二戰以來的反戰理念，推動和平意識的傳承與深化。作品不僅在日本國內激發廣泛共鳴，更在國際舞台，特別是中韓地區，引發熱烈的爭議與討論，凸顯東亞歷史記憶的複雜性與多樣性。本研究旨在探討作者諫山創如何受歷史背景啟發，在當代語境下重塑反戰思想，並有效傳遞至廣大讀者群。另通過分析中韓媒體報導與網絡輿論，揭示作品對東亞區域和平對話的深遠影響。當前學術界對反戰漫畫思想及跨文化影響的研究仍顯不足，本論文致力於填補這一學術空白，為漫畫作為思想史與跨文化研究的交匯點提供全新視角。

Japanese manga, as a significant cultural medium, embodies the spirit of the times and ideological threads, reflecting social changes and the values and ideologies of creators. In post-war Japan, anti-war themes became a central focus in manga creation, shaping a unique dimension of cultural expression. This study takes the widely acclaimed Attack on Titan as a core case, deeply analyzing how it interprets Japan's anti-war ideals since World War II through narrative structure, character design, and symbolic techniques, promoting the inheritance and deepening of peace consciousness. The work has not only sparked widespread resonance in Japan but also triggered heated controversies and discussions on the international stage, particularly in China and South Korea, highlighting the complexity and diversity of East Asian historical memory. This study aims to explore how the creator, Hajime Isayama, drew inspiration from historical contexts to reshape anti-war ideology in a contemporary setting and effectively convey it to a broad readership. Additionally, through analyzing media reports and online public opinion in China and South Korea, it reveals the profound impact of the work on peace dialogues in the East Asian region. Current academic research on anti-war themes in manga and their cross-cultural influences remains insufficient, and this paper seeks to fill this academic gap, offering a new perspective on manga as an intersection of intellectual history and cross-cultural studies.