放回世界的臺灣敘事：論《1661國姓來襲》的反派轉移

The Villain Transfer of Koxinga Z

從史冊到小說、漫畫，材料的取捨可謂編纂者歷史意識的折射，因此同樣的歷史人物也可能呈現不一樣的面目。歷代政權出於統治需求，對鄭森故事反覆地重述與挪用，是他歷久不衰的重要因素之一。然則這樣的視野一但被顛覆，是產生新意，還是新瓶舊酒？本文以李隆杰的漫畫作品《1661國姓來襲》為主題，擬借用華語語系論述，採取文學研究形式來討論這部以揆一為主要視角的漫畫，是如何取用關於鄭森的史料，並加以重構、塑造鄭森的反派形象，最終將史冊文字轉換成圖像作品。並闡明殖民暴力的歷史怪獸，是如何在這部漫畫中被展演、表述，而此中今昔互涉的殖民傷痕與仇恨，是否有完結的可能。

From historical annals to novels and comics, the choice of materials can be said to be a reflection of the needs of the editors, so the same historical figures may also have different faces. If historical writings are regarded as a part of creation, Koxinga's biography is like the text of ancient Chinese novels, which is constantly being rewritten in the spread. The repeated retelling and appropriation of Koxinga's story out of the need of rule by the successive regimes is also one of the important factors for his endurance. But can this vision be subverted? If you change your position and reinterpret the Dutch and Zheng dispute from the perspective of the Dutch East India Company, is it possible to produce new ideas? This article takes Li Long chieh's comic Koxinga Z as the theme, and discusses how this comic with the chief perspective of the Dutch East India Company Frederick Coyett as the main perspective uses historical materials about Koxinga and reconstructs and shapes Koxinga's villain eventually converted the text of the annals into graphic works. It also discusses how historical violence as a monster is shown in this comic, and whether such scars and hatred may end.