| 英文摘要 |
This paper explores Chapter 47 of Oliver Twist, titled“Fatal Consequences,”which presents a harrowing account of Bill Sikes murdering his lover, Nancy, in a fit of rage. Sikes’s violent attack, driven by uncontrollable fury, is depicted with intense brutality. He violently assaults Nancy, leaving her gravely injured and ultimately bludgeoning her to death. The scene is starkly graphic, showcasing the severe consequences of domestic abuse. This paper explores Dickens’s portrayal of the Victorian domestic violence. Nancy’s refusal to leave Sikes and her eventual resignation to her fate illustrate her entrapment in an abusive relationship. Her passive response and emotional pleas, rather than resistance, render her a pathetic rather than tragic figure, reflecting the emotional entrapment and self-blame often observed in real-life domestic abuse victims. In her final moments, Nancy’s attempt to hold up a handkerchief towards Heaven symbolizes a desperate plea for redemption and an act of defiance. Her death, though pathetic, is portrayed as a form of spiritual release, with Dickens emphasizing her transformation into a spectral figure that transcends her suffering. Nancy’s ghostly presence haunts Sikes, symbolizing her enduring influence and the unresolved guilt of her murderer. The episode gestures toward social problems in Dickens’s Britain—especially the marginalization of women and the intersections of poverty, crime, and domestic coercion—though this paper focuses primarily on Nancy’s characterization rather than a full sociological account. By blending elements of sacrifice and spectral retribution, Dickens adds depth to his portrayal of Nancy, transforming her from a victim into a symbol of enduring power and resistance. This portrayal underscores the continuing relevance of discussions about domestic violence and the challenges faced by marginalized individuals. |