從島嶼回望半島：戰後來台女作家趙雲的成長記憶與多重原鄉

A Gaze Toward the Peninsula: Growth, Memory, and Multiple Homelands in the Postwar Writings of Female Writer Zhao Yun

原籍廣東、生於越南的戰後來台女作家趙雲（1933-2014）擁有成熟的文字技巧，擅長心靈意識的探索與哲理思考，寫作風格具強烈的實驗性。因成長環境時值二戰前後動盪不安的亞洲時局，致其敘事圍繞著成長的童年記憶及生命創傷，中國、越南、台灣三地的離散經驗可謂成就了她的寫作。本文鎖定趙雲1957年來台後發表的散文、小說，析理其文字表述中「原鄉」的意義建構，以及身體、身分的移動與重構。意即考察作家如何在戰後台灣的生活場域回望成長地越南與祖籍地中國，並藉其回望文字析論作家的主體樣貌。趙雲的個案提供了逸離原鄉中國與現居地台灣的戰後來台作家流散路徑，以及戰後台灣女性散文美學的異數，呈現出離散敘事的多重視域與美學範式。此論題研究意義之一是梳理相對被忽視的戰線後方記憶，釐析戰時創傷在流亡主體型塑中的作用與樣態；二是將視野由島嶼台灣拓展至中南半島的越南，呈示戰爭期世代敘事所具的跨域語境。

Zhao Yun (1933-2014), a postwar female writer originally from Guangdong and born in Vietnam, demonstrated a sophisticated command of language and excelled in exploring inner consciousness and philosophical reflection. Her writing style was notably experimental. Having grown up amid the turbulence of Asia before and after World War II, her narratives frequently center on childhood memories and trauma, with her diasporic experiences across China, Vietnam, and Taiwan profoundly shaping her literary creations. This study focuses on Zhao Yun’s essays and fiction published after her relocation to Taiwan in 1957, examining how her work constructs the concept of“homeland,”alongside the movement and reconstruction of the body and identity. Specifically, it explores how the author, while living in postwar Taiwan, retrospectively engages with Vietnam—the place where she was raised—and China, her ancestral homeland, and how this retrospective gaze informs her literary subjectivity. Zhao Yun’s case provides valuable insight into the diasporic trajectories of postwar writers who left China but did not fully assimilate into Taiwanese society. At the same time, it exemplifies an alternative aesthetic within the corpus of postwar Taiwanese women’s essays, presenting multiple perspectives and aesthetic paradigms within diasporic narratives. This study is significant in two primary respects: first, it seeks to illuminate the often-overlooked memories of the rear front, revealing how wartime trauma contributes to the identity formation of exiled subjects; second, it extends the research scope beyond the island of Taiwan to include Vietnam on the Indochinese Peninsula, thereby foregrounding a cross-regional narrative framework for the wartime generation.