風景與心境的鏡像：日據時期新詩中的海洋書寫——以林修二之詩為例

The mirror image of scenery and mood: Taiwan Sea literature during Japanese occupation–in Xiu-Er Lin’s poetry Case

本文主要著眼於台灣古典與現代海洋文學書寫之變異。首先，以日據時期新舊文學作品中頗具代表性之「黑潮」為考察對象。倘若古典（舊）黑潮是封建體制下的產物，則現代（新）黑潮則頗為貼近新時代的脈動──「黑潮」書寫正標誌著本島新時代的風景：從面對裨海轉而面對太平洋──重新面對世界，且對於本島新知識份子而言，順著黑潮的洋流，亦得以流向新殖民母國的中心與進入世界新體系；而且，「黑潮」的書寫，大抵先流向高緯度的日本（順流），再逆溯至低緯度的南洋（逆流），而其時間之分野則明顯與皇民化運動、大東亞共榮圈有關。現代海洋文學可謂有了新的語言與新的美學根據。其次，林修二因留學與養病的關係，時常往返於臺灣與日本之間，而有為數甚多之海洋詩作；本文分別由「海洋風景」與「風景心境」兩個層面來論析其詩作，其中，前者依「我」之是否介入，再細分為「純然的風景」與「介入的風景」，而「風景心境：自我的發現」則是在風景中發現主體的存在。

This paper focuses on classical and modern Taiwan literature written in the variation of sea.
First, this paper investigates that during the Japanese occupation in the old literature is representative of the Kuroshio（“black tide＂）as the Object. If the classical （old） literature Kuroshio is a product of the feudal system, the modern（new）literature Kuroshio is quite close to the pulse of a new times──Kuroshio （“black tide＂） writing is marked a new times of the scenery of this island: from the face of the Small Sea ──turn to face the Pacific face the world, in terms of the new intellectuals on this island that along the Kuroshio currents, have been able to flow to the center of the new colonial mother country and the new system into the world; and that Kuroshio （“black tide＂） of writing, the first flow to the high latitudes of Japan （downstream）, and then reverse back to the low-latitude South Pacific （upstream）, and the time of the dividing line related to Colonization Movement（Kominka Movement）and the Greater East Asia Co-Prosperity Sphere. The modern sea literature had the new language and the new esthetics basis.
Second, Xiu-Er Lin was often travels between Taiwan and Japan, he has the numerous sea poetic composition. This paper separately two parts of “the sea scenery” and “the scenery mood” to analyzes its poetic composition, the former depends on “I” whether to involved, divides into the “pure scenery” and “the committed scenery”, but “scenery mood: the self-discovery” is discovers the subject existence in the scenery .