從「畫論」論「莊老告退，而山水方滋」之意義

The Meaning of ''The Decline of the Metaphysical Poems Followed by the Rising of Landscape Poems'' in the Painting Theory

劉勰在《文心雕龍》〈明詩〉說：「莊老告退，而山水方滋。」後人皆知玄言詩衰落，山水詩順勢而起，然都不解為何玄言詩衰落，山水詩產生之關鍵因素。本文試從東晉、南朝當時畫家之「畫論」作一探索，發現畫論中亦有「莊老告退，而山水方滋」的現象，並發現繪畫理論中，人性自覺的提升，乃促使莊老告退丶山水方滋的現象，因寫本文以究其竟。

In Liu Xie's ''Wen Xin Diao Long'' (Ming Shi), Liu said: ''The rising of onlandscape poem followed by the decline of the myths.'' People in the latter dynasties all found the falling of the myths, but couldn't explain the key factor why ''the rising of onlandscape poem followed by the decline of the myths.'' This article tried to explore the painting theory has also existed ''the rising of onlandscape poem followed by the decline of the myths'' within it. The elevation of humanity is the key factor to cause ''the rising of onlandscape poem followed by the decline of the myths.''