論聽覺、嗅覺空間定位之模糊化――以唐宋詩詞為考察對象

The Fuzzy Orientation of Space In the Sense of Hearing and Smelling–Analysis Based on Poetry and Lyrics Of the Tang & Sung Dynasties

欲處理空間，必先處理空間定位，而其中「模糊」的空間定位是相當特別的，值得一探究竟。當距離知覺－－聽覺、嗅覺因為種種因素，譬如發聲體眾多、風吹聲動、發生體位置變動、發聲體位置不能眼見（前此為聽覺），還有產味體位置不能眼見、產味體眾多、風吹香動、香味細薄（前此為嗅覺）等，而產生空間定位模糊化的情形時，往往會因此造成「迷」或「熱鬧」的效果。其中「迷」的效果可以用來提升意境、催深情感（悲情或喜情），「熱鬧」的效果則可以有力地刻畫出季節或節日的特色；而這些對於全篇主旨的醞釀與表出而言，都起著重要的作用。所以對空間定位模糊化的探討，必須歸結、提升到全篇的角度來看待，才不至於流於瑣碎。此時，章法分析就有助於釐清空間定位模糊化的意象，在全篇中所佔的位置，以及與其他意象間的關聯，並因而凸出主旨，增強辭章的感染力。

As the space issue is concerned, the orientation of space shall be the most impart component to be managed. In particular, the “fuzzy” orientation of space is a fascinating phenomenon that deserves to explore. The perception of distance - the sense of hearing and smelling – may become fuzzy owing to various factors; for example, the sound may comes from multiple sources, be interfered, or be given off by a moving object or from an invisible place (in terms of the sense of hearing). In similar, the smell may come from multiple sources, spread in the direction of blowing wind, be given off from invisible place or weak odor (in terms of the sense of smelling). All these factors will result to the fuzzy orientation of space and create “mysterious” or “flourishing” effects. The “mysterious” effect will promote the perception of mood and to provoke the affectivity (sorrow and joy as well). The “flourishing” effect, on the other hand, will vigorously delineate the features of subjects such as seasons and festivals. These effects play an active role to develop and manifest the motif of a literary work.
When one attempts to explore the fuzzy orientation of space, he/she must take a comprehensive view on this issue. In this context, analysis of the organization of writing would be helpful to clarity the images with fussy orientation of space, to define its significance, to identify its relation with other images, and consequently, to highlight the motif and to enhance the affective connotation in a literary work.