| 英文摘要 |
The work West Chamber Rubbings also known as Su Shi’s West Chamber Rubbings, in addition to including Su Shi’s prose, also includes a considerable number of Su Shi’s poems. Ink traces of Su Shi’s poetry can be found in various pre-modern texts, and such works have all been incorporated in various compendiums of Su Shi’s poems published today. However, different versions of such pre-modern texts are defined by both textual similarities and differences. West Chamber Rubbings is the earliest and best example of Song stele rubbings, and is a text that is rarely seen in Taiwan today. The Song Dynasty work Su Shi’s Poems, Annotated by Shi Yuanzhi and Gu Jingfan is the earliest and best Song dynasty anthology of Su Shi poems, and is rarely seen in the Mainland today. If we properly use these two rare books, providing close textual examination of both, we will certain discover some things. This article thus seeks to, first, show the ink traces of Su Shi’s poetry within West Building Rubbings and provide an analysis of it. Secondly, the textual differences that exist between this text and the work Su Shi’s Poems will be highlighted and compared. In this way, a comprehensive philological analysis will be conducted between the two texts. Such a research method includes both philological and conceptual analysis, considering physical ink traces, textual interpretation, and poetic meaning. As such, both aesthetic beauty as well as academic truth can be gauged. With the realization of such comparative collative and philological work, a new research methodology for Su Shi studies can be opened up. |