| 英文摘要 |
Northern Song Classicists (guwenjia) consider Kongzi, Mengzi, Han Yu, Ou Yangxiu as a successively identical group of literati who established Dao Orthodoxy (daotong) of the Ru School. This viewpoint then became the prevailing belief among scholars, that is, the Classicists inherited “Dao Orthodoxy”. The Classicists, and Dao Learning Scholars (daoxuejia) both hold that “Dao is superior to wen,” and Dao Learning Scholars also affirm the cultural refinement of the Classicists as an a priori condition before compositional writing. Where the Classicists and Dao Learning Scholars differ, is that Dao Learning Scholars take it for granted that the Classicists take wen as a priori, and enact Dao as a posteriori (xianwen er houdao), or even claim that the Classicists approach, and illuminate Dao artificially, and they learn wen, but abandon Dao. However, this view is a misrepresentation of the beliefs of the Classicists. This article explores the literature of the Song literati, and concludes that the Northern Song Classicists did not abandon the view of “Dao Orthodoxy”. However, later critics set a binary opposition between “Dao Orthodoxy,” and “Wen Orthodoxy”. This classification is an over-simplification, and many critics, even those in the early Qing period, take “Dao Orthodoxy” as a direct derivation from Dao Learning Scholars, not the Classicists. However, this interpretation does not correspond to the original works of Northern Song Classicists, and therefore, is not attributable to their writings and interpretations. |