| 英文摘要 |
This study takes Rahic Talif’s work, The Space of Fifty Steps, as its main subject, aiming to explore the existential relationship between the artist’s“home-tribe”(East Coast) and the natural ecological environment. It further delves into how this relationship has influenced Rahic’s creative life as an artist. In addition, it also seeks to position the artistic values of Rahic’s works by comparing his artistic practice with the historical contexts of Arte Povera, land art/earth art, and ecological art. Adopting literature review and in-depth interviews with the artist as its research methodology, this study reviews Rahic’s approximately 16-year journey of artistic creation from his Action Project for Typhoon in 2008 to the present. It aims to understand how his works were conceived within different environments to represent his unique artistic expressions and conceptual frameworks. By thoroughly analyzing Rahic’s development as an artist and comparing it with other artists engaged in environmental or ecological art, this study identifies key elements of Rahic’s“marine aesthetics,”including behavioral features, technical structures, design rhetoric, poetic-linguistic quality, and messages he seeks to convey. These elements reveal the underlying significance of Rahic’s“marine aesthetics.” Finally, this study expounds Rahic’s artistic perspective on“marine aesthetics,”explores what it can potentially inspire and influence in response to contemporary ecological changes caused by extreme climate conditions, and the meaning of“Malatamdaw (becoming human)”in“The Space of Fifty Steps”by Rahic Talif. |