| 英文摘要 |
This study investigates the application of artificial intelligence generated imagery within the framework of Charles S. Peirce's semiotic theory, integrating the concept of ''Design DNA'' to construct a semiotic model and design methodology for AI-generated images. Using the Midjourney image generation tool as a case study, the research analyzes the semiotic mechanism behind AI image generation and interprets the creative process as a dynamic iteration of Peirce's triadic relation—object, interpretant, and representamen. Furthermore, the study introduces the concept of design DNA, where primary design DNA represent fixed design attributes, and subordinate design genes serve as variable conditions. These are used as the basis for AI prompt encoding. To validate this framework, the study adopts the product line of the brand ''Only Fem'' as a design case, deconstructing its design DNA and applying them in an image reconstruction process using AI to regenerate chair forms. The results indicate that primary design genes ensure visual consistency, while subordinate genes enhance design diversity. The use of both image and text inputs significantly improves generative control, and a design DNA encoding system (e.g., A+a\b\c\d) effectively guides stylized outputs. This supports Peirce's notion of ''unlimited semiosis'' by demonstrating iterative interpretability in AI-based design processes. Grounded in Peircean semiotics, design DNA theory, and AI generation technology, this study proposes a structured AI design instruction methodology that offers a theoretical foundation for the design field. It further highlights Al's potential in areas such as human-machine collaboration, brand identity development, product design, and the evolution of design methodologies. |