李白〈早發白帝城〉之聲情美——由吟誦角度探論

The Aesthetic Beauty of Sound and Emotion in Li Bai's '' TSAO-FA-PAI-TI-CHENG ''——An Exploration from the Perspective of Recitation

古云「詩言志」，是知詩歌為內在心音之所顯，又自其出現之始，便與音樂綰結緊密，以此知詩歌除為內在情感之反映外，亦為具音樂性之文學體裁。唯歷來論析詩歌者，多著重於詩歌字意之理解與由此而發之意境，而鮮論及聲韻編排所致之聲情美，如此論詩則難以領受詩歌聽覺之美與其興發動人之力道。今存歷代之詩歌眾多，而李白〈早發白帝城〉為歷來文人所讚頌，究以此詩之佳處何在？今即由吟誦角度切入，以探論此詩感染人心之聲情美感。

As the ancients said, ''Poetry expresses the will,'' indicating that poetry manifests the inner thoughts of the heart. Since its inception, poetry has been closely intertwined with music, which reveals that poetry serves not only as a reflection of inner emotions but also as a literary form with musical qualities. However, discussions on poetry have often focused on the understanding of word meanings and the resulting imagery, with little attention paid to the beauty of sound and emotion derived from the arrangement of tones and rhythms. Consequently, such analyses may overlook the auditory beauty of poetry and its power to inspire and move the heart. Among the many poems that have survived throughout the ages, Li Bai's ''TSAO-FA-PAI-TI-CHENG'' has been lauded by scholars. What makes this poem so exceptional? This study approaches it from the perspective of recitation to explore the emotional resonance and beauty of sound that touches the heart.