| 英文摘要 |
The burial practices of the Northern Song imperial clan are not an entirely new research topic. Previous scholars have examined burial practices in imperial mausoleum areas from the perspective of spatial arrangement, and some have focused on the form and structure of unearthed epitaphs. This paper, however, seeks to contribute to a more comprehensive understanding of burial regulations in the Song imperial clan by exploring the relatively overlooked phenomenon of the collective internment of royal epitaphs. According to the findings of this study, epitaphs for Northern Song imperial clansmen were typically produced by a consistent production team, which often included the same author, calligrapher, and stone carver across a batch of epitaphs. Although large numbers of clansmen were sometimes buried alongside emperors, empresses, or princes, the actual number of accompanying burials was constrained by the time interval between collective burial events and the number of deaths within that period, rather than by the scale of the funeral itself. Epitaphs for those buried with emperors were generally composed by Hanlin Academy scholars, whereas those for individuals buried with empresses or princes were less consistently produced in this manner. Moreover, participation in collective burials was limited to clansmen who met certain rank requirements; not all members of the imperial clan were eligible. The interval between death and burial also offers insight into the temporal patterns governing collective interments of the Song imperial clan. In general, the burial dates for central figures in these group funerals appear to follow prescriptions from the Book of Rites Liji. Emperors were typically buried“in the seventh month”after death, while other members of the royal family were interred“after three months.”In cases where the empress dowager had once served as regent, a five-month interval before burial is also attested. These varying lengths of preparation time seem to reflect an implicit official assessment of the deceased’s political role and status within the imperial hierarchy, suggesting that the Song state calibrated funerary timing in part as a response to the level of political participation associated with different members of the royal lineage. |