| 英文摘要 |
The Sūtra of Trapuṣa and Bhallika (Tiwei jing) has always been regarded as apocrypha, a set of teachings written by Tanjing in the Northern Wei Dynasty and advocated to make it easier for believers to understand the practice. This sutra is mixed with elements of the three religious teachings and folk beliefs that were popular at that time. Master Chih Che (Zhiyi) once criticized the view of the “Dilun masters” that classifies this sutra as “The teaching for Men and Devas.” He believes that it is not easy to clarify its nature through the “Classification of the Five Teachings.” The author believes that this is associated with the fact that this sutra regards Buddha’s “Five Precepts” as the “root of heaven and earth” and the characteristics of a set of theological cosmology derives from it. This study intends to probe into the standpoint of Master Chih Che (Zhiyi)’s theories of teaching classification, reorganize the textual meaning of Tiwei jing, and understand how it affected the theoretical construction in the sutra through the application of traditional “five elements” theory. Based on the comparison of literature from the three religious teachings, this study observes how the concept of body in the sutra was affected by the interactions between Chinese traditions (including Taoism and Confucianism) and Buddhism. This study found that Tiwei jing reflects a special set of body patterns of “spirit within the body - body - spirit outside the body.” We also observe the shift from the concept of qi to jieti (“precept substance”) in Buddhism. Regarding the so-called state-body idea in this sutra, it not only presents the strong secular orientation of theological thought, but also implicitly uses the “five elements” theory as a figurative expression of the concept of “collective karma.” |