論范遇《月因集》之月詩書寫

On the poems about the moon in Fan Yu's Yueyinji

清人范遇的《月因集》由十五首以月為主題的詩作輯成。這些作品均以月入題，全詩無一出現「月」字，卻處處在表現月或月所象徵的文化意涵。月詩景物和諧、境界出塵、審美肅穆、題材生新，蘊含詩人多重情感主旨。「月」之隱身手法與六朝軼事典故、先秦史典等的運用是詩歌情感深微與語義朦朧之源頭。范遇汲取李白月詩精華，熔鑄自成，既上釆六朝之綺麗流宕詩風，又深得唐詩之含蓄蘊藉的審美特徵，同時不廢盛唐自由奔放的氣息。范遇不僅對於傳統月詩情感表達與藝術技巧進行了重大革新，而且具有重要的詩史與批評史價值。

The Yueyinji by the Qing Dynasty poet Fan Yu is a collection of fifteen poems on the theme of the moon. These poems are all about the moon, and the word“moon”does not appear in any of the poems, but the cultural connotations of the moon or its symbols are expressed everywhere. The moon poems are characterized by harmony of scenery and objects, dusty realm, solemn aesthetics, and new themes, which contain multiple emotional themes of the poets. The invisibility of the moon and the use of allusions to the Six Dynasties and the pre-Qin dynasties are the reasons for the poem's emotional depth and semantic ambiguity. Drawing on the essence of Li Bai's moon poems, Fan Yu absorbs and innovates, not only learning from the beautiful poetic style of the Six Dynasties, but also gaining the aesthetic characteristics of Tang poetry, while not abandoning the free-spiritedness of the Sheng Tang. Fan Yu not only revolutionized the expression of emotion and artistic technique of traditional moon poems, but also has important value in the history of poetry and criticism.