| 英文摘要 |
There is considerable inconsistency regarding the meaning of“Cimu mourning attire”in“Sang Fu”from Yili (the Book of Etiquette and Ceremonial),“Nèizé”and“ZēngzǐWèn”from Liji (the Book of Rites). The first part of this paper identifies and clarifies the discrepancy in connotations by analyzing the term“Cimu mourning attire”recorded in pre-Qin literature. In the second part, this paper explores how the Han Chinese incorporated the terms“Cimu”and“mu”and investigates their application in Han dynasty texts. This part is followed by an examination of Zheng Xuan’s commentary on“Cimu mourning attire.”The third part of the paper attempts to discuss the opposing interpretations of“Cimu mourning attire”between Liang Wu Di and Zheng Xuan. Finally, this paper examines the reasons for the divergent interpretations of the term in pre-Qin literature, and offers a new interpretation that differs from Liang and Zheng’s perspectives. This study suggests that the conflicting statements regarding the idea of“Cimu mourning attire”arise from earlier approaches that comprehended the term in“Sang fu”and other texts based on a contemporaneous viewpoint. Thus, this study re-examines the term from the perspective of“development”and contends that different texts and documents reflect various aspects of“Cimu mourning attire”in different historical periods. Such understanding of“Cimu mourning attire”has not been fully explored in contemporary research; hence, this paper aims to offer a new perspective to the academic community. |