| 英文摘要 |
This paper aims to explore the phenomenon of consciousness projection induced at the reader level in Zhang Lingling's“Listen, Listen, That Silence”employing the literary phenomenology proposed by Polish philosopher Roman Witold Ingarden (1893-1970) as the corresponding research methodology. This analysis aims to dissect the consciousness landscape generated by the text, delving into two dimensions: the semantic layer constructed through the phonetic combination layer and the meaning unit layer, and the pictorial layer established by the representation object layer and the schematic perception layer. It seeks to decode the reception effects derived from the poetic techniques employed. |