吳岱穎《冬之光》中的表意原則

The Principle of Expression in Wu Dai-Ying’s Winter Light

本文以《冬之光》這本詩集作為討論對象，以「表意原則」為命題，目的在於聚焦這本詩集所以能夠產生文學性的主要原因。其中，特別引入符號學的相關概念，以符指過程為判斷，針對《冬之光》這本詩集之能指與所指，其對應時之殊異性進行解碼，將之相對分為「符指型態」與「符指間隙」等兩個部分。進而發現，《冬之光》中的表意原則，乃是藉由敘事型意象之符指型態，產生具有可感知、可想像之符指間隙，以完成其敘事意識的美學構造。

This paper takes Winter Light, a poetry collection by Wu Dai-Ying, as its object of discussion, using the concept of the“principle of expression”as its central theme. The aim is to investigate the primary reason why this collection is capable of generating literariness. In particular, the study introduces relevant concepts from semiotics, using the process of signification as the basis for analysis. It decodes the differences in the relationship between the signifier and the signified in Winter Light, dividing them into two categories:“modes of signification”and“gaps of signification.”The study finds that the principle of expression in Winter Light lies in its use of narrative imagery as a mode of signification, which in turn produces perceptible and imaginable gaps of signification, thus constructing an aesthetic structure grounded in narrative consciousness.