| 英文摘要 |
Published in 1722, Daniel Defoe’s A Journal of the Plague Year describes the events of the bubonic plague that struck London in 1665. Despite repetitions and digressions, A Journal of the Plague Year is a highly detailed, stylised, and fictionalised narrative long cited as a historical source. Through the narrator H.F.’s use of sensory details, the vivid and visceral depictions of the sights, sounds, and smells of the plague-stricken city are fastidiously provided, creating a powerful and immersive narrative that allows readers to imaginatively experience the plague first-hand. This article seeks to examine how Defoe employs the senses of sight, sound, and smell in A Journal of the Plague Year. In doing so, it becomes evident that air—though scarcely perceptible—serves as a potent medium through which these sensory experiences permeate a city engulfed in a miasma of anxiety, uncertainty, and despair. Visual perceptions blend with visions and illusions, authoritative directives mingle with rumours, and the air is thick with the stench of effluvia. This vivid narrative not only chronicles the historical realities of the plague but also evokes a deep emotional response, immersing readers in the atmosphere of fear and disquiet that characterised London during the epidemic. Over three centuries since its initial publication, Defoe’s A Journal of the Plague Year continues to offer new perspectives, urging readers to reconsider the complexities of the plague. |