移動的哀愁──論張文環《滾地郎》之空間樣貌

Moving Sadness––On the Multiple Space Imagery in Zhang Wenhuan's ''Ground-Rolling Man''

本論文主要探討《滾地郎》這部小說中呈現的空間樣貌。小說設定的具體環境經改朝換代而變化，人物的棲身空間伴隨際遇而移動，由地方與居處的變換過程中，人物的感知亦隨同處境轉化，內心認知空間在大歷史與小歷史交錯下衍生莫名的哀愁、矛盾與打擊，層層因素環扣的連結型加深關係空間的內涵。
故本論文首先將《滾地郎》中的空間區分為大歷史空間與小歷史空間；夾以大衛●哈維、列斐伏爾、海德格、段義孚、愛德華●瑞夫等數位文學評論家，依據諸位提出的理論與文本相互對應，再根據文本內容與理論相互參照討論，從中挖掘情節組合的空間意涵。
此外，除了解析前述的空間意涵外，《滾地郎》故事相互交雜時隱約出現微妙的曖昧感，為何作者意圖雕塑這種特殊的感覺，從情節哪些部分浮現，也將在本論文例舉進行探討。

This paper mainly discusses the appearance of space presented in the novel “Ground - Rolling Man”. The specific environment set in the novel changes through dynasties, and the characters' living space moves with their encounters. In the process of changing places and residences, the characters' perceptions also change with the situation, and the inner cognitive space intersects between big history and small history. Inexplicable sadness, contradictions and blow s arise from the situation, and the interlocking connection between layers of factors deepens the connotation of the relationship space.
Therefore, this thesis first divides the space in “Ground - Rolling Man”into large historical space and small historical space; and combines it with digital literature such as David Harvey, Lefebvre, Heidegger, Yifu Tuan, Edward Reeve, etc. Critics, based on the mutual correspondence between the theory and the text proposed by you, and then based on the mutual reference discussion between the text content and the theory, explore the spatial meaning of the plot combination.
In addition, in addition to analyzing the aforementioned spatial meaning, there is a subtle sense of ambiguity when the stories of“Ground - Rolling Man”are intertwined with each other. Why does the author intend to sculpt this special feeling? It will discuss and take examples in this paper.